The Art of NOT Writing: Breaks, Blocks, & Boredom

A lot of blog readers have asked– in some form or another– how I deal with writer’s block, and also what I do when I simply don’t feel like writing.

First of all, I must admit to you that I wrote almost every single day from spring 2008 to winter 2013. In January of this year, my wunderkind writing guru Judy Hougen gave me permission to not write, and I started to take some much-needed breaks.

Secondly, you should know that I did not write from fall 2003 to fall 2006. I had just graduated from a creative writing program which had required me to put my heart through a meat grinder, and I was exhausted.

With those disclaimers out in the open, let’s dive in.

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BREAKS.

I think there’s a time and place for taking a break from writing. I have never regretted my three-year hiatus after finishing undergrad, but then again, it was still a creatively productive time. I used those three years to read like a maniac. Of course, I had read a lot of incredible work for my English major, but it was so good to start reading for pleasure again and not for homework. I devoured books during those three years, and I did it with purpose. I always felt like a writer during those three years; I merely viewed the time as a season where I was cultivating my creative soil for future planting and growth. And that’s exactly what it was.

These days, I take a purposeful writing sabbatical on Mondays: no writing allowed, and the time is devoted to reading. It’s been a good experience so far. As I said above, I have only recently (this year) allowed myself breaks from writing, and for me, it’s essentially a spiritual practice of trust. For so long, I was worried that if I took a break, I would “lose everything.” But that’s not true: taking purposeful breaks allows me to trust God that my gifts won’t fly out the window the moment I open my fist.

Middle-range breaks (staying away from my manuscript for 2-6 weeks) can be a little hard for me to bounce back from, but I’m learning it’s less about the talent disappearing and more about fear showing up.

All that to say, is it okay to take breaks from writing? Yes. For me, it’s best when they are purposeful and still used to intentionally foster creativity.

BLOCKS.

I have to be honest here: I don’t get the traditional writer’s block anymore– you know, where you sit down to write but nothing comes. I can remember that, though, from high school and even in college, and it’s a horrible feeling. These days, I have built such a strong writing routine that it’s quite rare for me to experience writer’s block the way many people think of it.

Of course, I still get stuck while I’m writing, but it’s different. At least, it feels different to me.

Regardless, the following are things that I do when I get stuck/blocked.

1. Pray/brainstorm. For me, this is sort of one thing. Parts of my prayer journal could easily be mistaken for a writer’s processing notebook. This all happens by hand (basically the only writing I do away from the computer anymore) and in my bed, and often involves scrawling HELP!!! in giant, frantic letters across my journal. Then God and I brainstorm. It’s honestly one of the most amazing and satisfying parts of my writing life because, well, I am imbued supernaturally with ideas. Truest’s byline really should read

written by God Almighty

with Jackie Lea Sommers

because it’s such a team effort, and he has the best ideas.

2. Freewrite. I take whatever topic/area is stumping me and I make myself write about it for ten minutes. Natalie Goldberg and her “Ten minutes. Go.” have given me a perpetual exercise in beating back blocks. In freewriting, I have to type and type and type without stopping for ten minutes. There’s almost always one or two gems that find their way onto the page when this happens.

(Freewrites are also what I do when I’m out of sync with writing and need to loosen up that writing muscle again. They work. They really do.)

3. Have conversations. I hope you’re as lucky as I am to have such selfless friends who are willing to have long, drawn-out conversations about fictional people and situations and choices. When I get stuck, I will ask my friends to dialogue with me about whatever is stumping me. These conversations help me push through barriers and also help me know and understand my friends more deeply. (I’m so grateful.)

4. Make a plan. What do I need to do before I can dive back into my project? Maybe I’ve realized that I don’t know enough about the history of my characters to write an honest scene about their friendship. I’ll put a sub-project onto my list: “Create history for X and Y.” Then I’ll take a time-out from the manuscript to write up a whole separate history for my characters, much of which will never make it into the novel but which needs to exist before I can move forward.

BOREDOM.

What if I just don’t feel like writing?

Well, you’re going to have to assess the situation. Are you in need of an intentional break (#1) or are you just being lazy?

Writers write.

When I get in these moods, I do the following:

1. Freewrite. See above. This is the answer to so many writing questions, I believe.

2. Research. And when I say “research,” I mean spend time learning about things that are fascinating to you. I will click the “random article” button on Wikipedia until I land on something that gnaws on my brain. I will read through incredible quotations. I’ll spend hours on the internet finding something that clobbers me and drives the boredom out of my life because it’s just so amazing that I have to know more and want to write about it. Ideas wake me up.

3. Get away. Get out of your house or apartment and hole up in a coffeeshop or the back corner of Panera. Sometimes I’m not bored by writing, but I’m distracted by everything else. If I can change my setting and eliminate distractions, it will help me get back into the zone.

4. Read. Something so incredible and delicious that the excitement (and envy) starts building in my gut. Something where the characters make me laugh and cry and fill me with questions of How can I do that in my own style

5. Switch projects. Not entirely. I just might need to set aside the novel for a while and do some blogging instead. Or maybe work on a poem or something completely different. Although, who am I to say? For some people, this might mean abandoning a project entirely. If it’s not keeping your attention, there’s a good chance it won’t keep others’.

But mostly …

6. Butt in chair, hands on keyboard. Sometimes I just need to put on my big-girl pants and fake it till I make it.

Image credit: Unsplash, modified by me

This blog post first appeared August 19, 2014.

Idea Factory: Where My Ideas Come From

I feel like people always ask writers: Where do you get your ideas?

More often than not, the answer is everywhere.

It’s the same for me.

where do you get your ideasI get ideas from song lyrics, conversations, the radio, dreams, daydreams, Wikipedia, real-life events, funny things my co-workers say, freewriting, scents and smells, prompts, answers to the (many) questions I ask on Facebook, people I meet, Pinterest, memories from high school, websites I visit on accident, websites I visit on purpose, Tumblr, photographs and images, pretty dresses, cute things my favorite kiddos say, Quora, novels, memoirs, poems, books of quotations, books of symbols, books of trivia, books of anecdotes, books of mythology, instruction manuals, online journals, art, antiques, trees, weather, arguments, and on and on and on.

I usually start with an idea and a handful of characters. Truest started because of a Wikipedia article I stumbled upon years ago about a topic that continued to fascinate and haunt me until I decided to write about it. The next novel that I’m working on was sparked by a tiny entry in the Encyclopedia of Things That Never Were. The novel after that? Inspired by a website I love and the what if thought that popped into my head one day while visiting it.

Of course, the characters make the story, so once I have an idea– even just the tiniest wisp of one– I have to start assembling the cast.  I start actually by looking for pictures– I scour Pinterest, Tumblr, & We Heart It until a picture hits me and I know that’s my character.  I know a lot of authors despise character surveys and think they’re a waste of time– and I actually can agree that’s true for most surveys (this is not the time to worry about my character’s favorite color)– but I have two that I just love and always, always use.  The first set of questions comes from Gotham Writers’ Workshop.  The second set are from this Yingle Yangle post. When I finish answering those questions about my main characters, I am usually brimming with ideas and feel like I know tons more about them.

There’s lots of research involved.  I end up requesting a boatload of books from my public library and from the university libraries in the Twin Cities. I read like a maniac– both on paper and online– about all the various elements that I think are going to matter to my book (some of those things will not survive the cut, of course, but knowledge is knowledge and I love learning!).

Research and drafting will mostly happen simultaneously, and the entire time, I will keep getting ideas from everything in my world, jotting them down, and turning them into scenes.

Inspiration and ideas are all around us, and if you have your eyes and ears– and heart– open, you can’t help but marvel.

Related Posts:
All In: Ideas & Writing
My Writing Process
Fiction: How I Start
Weird Little Beast

Image credit: Andres Nieto Porras

 

 

Read These 10 Novels and We Can Be Friends

I break out in a cold sweat when I try to define my top 10 novels, so I’m not going to give these that label … but such a list would be pretty darn close!

I consider myself a strong curator, and I am telling you that you just absolutely cannot go wrong with these ten. These books are ones I will always, always suggest– and I will always, always want to talk about them too. And I will always, always wish I wrote them.

So, what are you waiting for? I challenge you to systematically read these ten novels, let them work you over and change your life, and then let’s talk.

jackie lea sommers favorite books

Noticeably absent: the Harry Potter series (because if I were to choose just one, I would choose #7 Deathly Hallows, but I would also never recommend that one read it without reading the rest of the series); The Last Battle and the rest of the Narnia books (because, again, I chose just one, and I think it’s the best story of the seven, though The Last Battle has possibly/probably been more important to me).  See, this is what happens when I force myself to make such list. Caveats!  Caveats, I tell you!

Head Canon

Note: this is spoiler-free, because these “truths” exist only in my head, far beyond the books …

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Hannah and Jude are married, and Taylor stays with them when she comes home from uni in Sydney, where she and Jonah are friends with Frankie, Will, Justine, Tom, and Tara. Ben, of course, introduced them all.

Puck lives with Sean in his father’s house; they raise horses together.

Ron almost has a heart attack when Rose brings home her boyfriend Scorpius.

When Leo asks Stargirl to marry him, she hands him the same note she got from him years before.

And when she is older, the book thief falls deeply in love with a Jewish fist-fighter.

Cor eventually knocks Corin down– when it comes to Aravis.

Viola is there when he wakes up.

And, of course, Eleanor and Park live in Minneapolis … in the apartment across the hall from mine.

Thankyouverymuch.

 

Image credit: Ulf Bodin

Jackie’s Team

Back in January, I met for life and writing advice with my college writing instructor, the brilliant and beautiful Judy Hougen. Although I didn’t blog about it at the time, one of the things she encouraged me to do was to pull together a team of people who would support and encourage me during the crazy rollercoaster publishing journey.

I did that.

teamI have a hidden group on Facebook with carefully selected members, and they are absolutely my team.  These people (who span five states and two countries) hear my prayer requests, calm my extreme panic, celebrate my victories, help me process decisions, dialogue with me when I get stumped while writing. They do it all.

I can’t tell you how much my team means to me and to my sanity. Yes, of course, I had/have each of them individually, but to cull them all together into one secret platform where I can vent and complain and cry and fear and rejoice has been unbelievable. They have allowed me to be completely unmasked and vulnerable with them so that I can maintain my composure in front of the rest of the world.

This post goes out to the members of my team. Thank you, all of you, for everything.

 

Image credit: Dawn (Willis) Manser

 

Courage to Write

unsplash9.1In the past seven months, I have realized just how courageous a writer needs to be.

Brave enough to attempt to make something out of nothing.
Brave enough to seek out feedback and criticism on a wild, unruly word-child.
Brave enough to face heartbreaking rejection from agents and editors.
Brave enough to consider a whole new direction for the story or poem.
Brave enough to allow readers to love or hate your baby.

Since I underwent ERP, I haven’t been so afraid as after I got my contract.

Nor have I been so courageous.

 

Image credit: Unsplash

The Wonder of YA Fiction

I’m not going to link to Ruth Graham’s article on Slate because it was ridiculous (adults should be embarrassed to read YA fiction … give me a break).

Nor am I going to add to the multitude of (quite excellent) rebuttals.

I just wanted to say why I love reading and writing quality young adult literature.

miskoIt’s because of the wonder.  The stories are so exploratory, so youthful, so for-the-first-time. There’s discovery, deep thought, processing, amazement.  I love the awe, the fascination, and even the acuteness of the pain. (As Cat Stevens would remind us, The first cut is the deepest.)

Don’t think I’m implying that adult literature doesn’t or can’t have these things too. My only point is that they’re pretty inherent in YA, and I love that about it.

 

Image credit: Misko, cropped by me

Butt in Seat: Why Showing Up Works

writing Rubin 110I’m a writer, and I know a lot of my blog readers are writers too, so you’ll have to excuse me while I redirect our focus to math for a moment.

1 + 1 = 2, and that’s not a lot. But if you + 1 over and over and over again, you end up with a lot. If you need to walk a mile, walking 1/8 of a mile 8 times will get you there. If you want to write a 60,000-word manuscript, 1,000 words a day for two months will do it. If you have 200 hours of revisions to complete and you work for 4 hours, you only have 196 left.

Showing up. It’s as simple– and as difficult– as that.

Theoretically we know that all those little moments of work will add up to a completed piece of art, but I think the bigger problem is that we artists are so often filled with such dreadful self-doubt that we sabotage our own equations.

What if the next four hours are a waste?

What if I write ten thousand words that are total crap and unusable?

What if I do all this research for nothing?

It can be paralyzing. I know there are times where I’d rather just avoid-avoid-avoid than do something that is going to be a waste.

But the truth of the matter is that the creative process needs those parts too. If you’re a writer, you’re going to write a bad first draft, you’re going to write words that will get cut– maybe even whole scenes, whole chapters, you’re going to go down rabbit holes that are dead ends. That’s just a part of the process.

Some writers know that it takes them a while to warm up, so they’ll make a practice of writing several throwaway pages before they roll up their sleeves for real work. When I get stuck, I make myself freewrite– write without thinking or trying or self-editing– and a lot of times, that’s when the gems spill out.

A lot of times, it’s hard for me to get started, especially when one writing session feels like I’m barely making a dent in things.  But session upon session upon session adds up.

Regarding OCD, I love the quote, “What saves a man is to take a step. Then another step.” The same rings true for writing.

 

Image credit: Rubin 110 on Flickr