3 Tips for Being Intentional with Setting & Description

3d interior render of empty white room with big windowAs I’ve said before, I’m not naturally good at description in my writing. It’s an area of weakness of mine, but since I’ve identified it as such, I can make intentional efforts to supercede that weakness.

1. I try to choose a location– or a location within a location– that lends itself to sensory detail. Instead of setting the scene in a regular old room, why not on the roof? Or in a church belltower? An abandoned greenhouse? A former-insane-asylum-turned-boarding-school? (My friends were creeped out by that one and steered me away from it. Ha!)

Figure one. I really believe this place is going to find its way into one of my stories one day.

greenhouse

2. I use photos, lots of photos, for reference. The internet is my friend: Pinterest, Tumblr, Google Images, We Heart It. I actually think people would be shocked to learn how much time I spend looking for images– but the pictures help me find the words.

Figure two. I’d have a hard time describing such a scene as below without the image.

bed

3. I write the senses at the top of a document and go scene by scene, asking what the characters could see, hear, taste, smell, or touch in that particular scene. This sensory document for Truest ended up to be fourteen pages. Then, back through the manuscript to graft the details in so that readers don’t see the seams.

Figure three. The red means that I ended up using the detail.

details

Your turn, writers: what are your best tools for setting and description? Does it come naturally to you, or do you have to “fight for it” the way I do?

Author/Editor Disagreements

disagreementWhat happens when an author and her editor disagree?

I’ll admit that not knowing the answer to this question is what started my intense bouts of panic, which started almost immediately after I was offered my book deal.

Now, nearly one year later (the first panic “attack”– I’m not sure it was a full-blown panic attack, but that is the best way that I can think to describe it– occurred on November 22, 2013), I have an answer to that question, though, of course, I can only answer from the perspective of my own partnership with my brilliant and beloved editor at Katherine Tegen Books.

She let me win.

Granted, I took nearly every suggestion she gave. She really is a genius when it comes to YA literature, and though feedback often stings, in almost every case, I could see why she made the suggestions, and when I took them, I loved the results.

There was only one thing– and it’s a big SPOILER, so I can’t share yet!– where she and I were on opposite sides of the fence, and I stressed and stressed and stressed.  Panic rolled off me in waves. I was sick over it, and cried my heart out to my team, prayed for a solution from God. Finally, I just explained my reasoning for my decision, detailing how important it was to me, and my editor said, Then let’s do it your way. I get it now. But we’ll work on it.

And we did.

And Truest is better for it.

She also let me win several smaller victories too, once I explained my reasoning. She has been so, so respectful of the fact that this is my story– my baby— and she wants me to be happy with it.

I am.

You guys, I cannot wait for you to read my story.

Things I Need to Hear

Sooooooooo … I had a bit of a breakdown last night. I’m not quite sure how to classify it: Mental breakdown? Nervous breakdown? Emotional breakdown? Manic episode?  Whatever it was, it was wild and rollicking and high-pitched and ugly.

It was not, however, connected to OCD. So, there’s a victory.

It was connected to my next novel. I have a first draft but it’s terrifically first-drafty, with so much work needed that it feels insurmountable. When you see my post about “showing up” later this week, you’ll think I’m a hypocrite, but yesterday, it really felt like staring at an elephant that was so big it filled my viewfinder. And there I was, holding a fork, with the instructions to start eating.  Where do you start?

In addition, there are some very dear people in my life who are dealing with health concerns right now, so worrying about a revision felt like complaining about a stubbed toe in contrast with their much larger concerns. I felt wildly overwhelmed and terribly selfish and utterly alone in the world.

I sent out a call for help to my team, and received many texts and phone calls, proving how not alone I am. Des even invited me over to her place (two buildings over), so I spent a couple hours with her, calming down from the fever-pitch wildness of my night.

So, what do I need to tell myself?

I have my First Draft Manifesto. I think I need a Second Draft one too.

It would say this: Jackie, be kind to yourself. Writing is a long, arduous, difficult, but rewarding process, and almost nothing comes to you easily. You have to fight for it all, and you do that by showing up, day after day, sitting down, and doing hard work. You eat an elephant one bite at a time, and to be honest, it’s probably irrelevant where you start: toes, ears, tail. Bring salt.

But really, salt is prayer, friends, and courage that looks an awful lot like fear. It’s easy to confuse the two, but courage is fear that keeps showing up to work.

You can do that. It will look different on different days, and that is perfectly fine.

Please remember that you love this. The writing life is a mysterious amalgam of your choosing it and its choosing you. That feels almost holy.

This process necessitates many steps backward. It’s an inherent part of the journey, and that means that even steps backward are steps forward. And that fits with your worldview too, you know: all things working for good.

Keep your hands and heart and mind open to grace, which is more abundant than you ever seem to realize.

And find the joy in this journey. Please. There is so much there, and sometimes you let fears and doubts scream so loudly that you can’t hear the laughter. Listen for it.

Be gentle with yourself. You’re not alone. Not ever.

So there’s that. Thank you for letting me sit down and process this with you, dear blog readers.  Any encouragement you’d like to leave in the comments section will be gobbled up like it’s a Thanksgiving feast.  By the way, I made the decision last night to spend Thanksgiving alone, back up in Duluth, attending to my story. I feel good about it.

Love!

Recent Reads

anne lamott 3Help Thanks Wow Stitches by Anne Lamott | It’ll be no surprised that I adored these books. Anne Lamott’s words– whether I’m reading one of her books, listening to her speak, or gulping down her Facebook posts– feel sacred, true, and deep. I absolutely adore her as a writer– and as a person. I would read her grocery lists. Help Thanks Wow is about the three essential prayers of the title. Stitches is about “meaning, hope, and repair.” I listened to both of these books on audio, at night, in the dark, and each one was like applying balm to my broken heart.

what we buriedWhat We Buried by Caitlyn Siehl | I purchased this book of poetry after bumping into some of Caitlyn’s free verse online. There were some gems in this collection, though I think her youth showed in the book (she is in her twenties). Not one I’ll revisit often, but it was still worth the read!

lips touchLips Touch: Three Times Laini Taylor | I would not have ever picked up such a book except that it was written by the indomitable Laini Taylor. It’s a collection of three short stories, and they were a treat.  Short stories are not my forte, and I’m bowled over when a short story can capture me in such a small space. These ones were fantastic, full of the powerful, literary prose you’d expect from Laini Taylor. When I finished the book, I was flummoxed and got into a little tweet-happy mini-convo with Laini and her husband Jim.

lips touch tweets

all our yesterdaysAll Our Yesterdays by Cristin Terrill | I love time travel in books. I love when two stories are really one story. This book had both, plus a shocking twist ending. Picture this: in the future, your best friend becomes evil, so you need to go back in time to kill him. Only your childhood self is in the past, working hard to protect him from you. Yup: mind-bending. An engrossing read, though not a new favorite (I’m pretty darn picky).

jandyI’ll Give You the Sun by Jandy Nelson | Oh yes. I pre-ordered this book at my first sniff that it existed. I’ve been so, so looking forward to this book, and it did not disappoint. This is the story of twins Noah and Jude, told in dual POV: from 13-year-old Noah before the tragedy and from 16-year-old Jude after it. So clever!  I loved it, loved the characters, loved all the art, loved Jandy Nelson’s mastery of language (she’s studied poetry, and it shows), loved the complicated emotions it evoked from me. It was a sad, heavy book. It occurs to me now that The Sky is Everywhere is sad too … but I felt that it had more light than this one (probably thanks to Joe Fontaine). Regardless, this book is incredible, a must-read.

What have you read recently? What’s up next for you?

Jackie, the Child Writer

Student

Some of my stories from growing up:

In third grade, I invented the Pononia family and spent time exploring the romance between Billy Pononia and his girlfriend Kate. When they left for college (a concept I could hardly fathom), they didn’t know how to find one another (because obviously a dating couple wouldn’t share where they were each going, right?) and Billy had to search long and hard for Kate, who had given up on him and was starting to love another man. But when Billy tracked her down (on her college campus!), he fought that man (of course!) and ended up marrying Kate. That’s romance right there, people.

Around sixth grade, my sister Kristin, neighbor Amber, and I started the Story Society, which was to meet weekly in our awesome clubhouse (a room in our motorcycle shed that I’d cleaned out and whose walls I adorned with a freehand painting of a castle with just one light on in one of the turrets). We were supposed to write one story each week, read them aloud to one another, and then offer feedback. My first story was about a jealous best friend taking archery lessons who ended up shooting her best friend’s boyfriend– but her best friend jumped in front of the boyfriend, and the arrow pierced both their hearts.  Tragic. Then the Story Society disbanded.

In junior high, I authored a soap opera. I’d write “episodes” in a green notebook labelled “Sunnyside High,” which my friends passed amongst themselves before it would end up back in my hands. Then I’d write a few more episodes for everyone. This soap opera was full-on drama: a teen pregnancy, a long-lost twin, a rebel who’d gotten AIDS from a tainted blood transfusion after his motorcycle accident. Sheer gold.

I also wrote a story about two best friends competing for just one spot on the track team. (Note to self: maybe stay away from writing sports stories, mmmkay?) I also penned a stunning mystery where a girl kept seeing her dead boyfriend. Hot.

Then there was my novella about a teen cheerleader who developed emphysema. Let me tell you; this was intense. I finished the story around 2 am in the dark in our family room, only the light from the computer screen to illuminate the tears that flowed down my cheeks.

In high school I turned my attention to bad, melodramatic free verse poetry, but that’s a whole other post. I’ll spare you for now. 🙂

If you’re a writer, do you remember some of your earliest creations? Were they dramatic and over-the-top like mine?

Truest: An Editing Timeline

A lot a lot a LOT of work goes into writing a novel. Here’s what went into the writing of Truest, my debut novel. Please note that when I say “editing” or “revising,” I am not referring to correcting grammar and typos but rather things like adding storylines, beefing up characters, changing the structure of the novel, writing new scenes, etc.

Broken pencil fragments on yellow paper
January-June 2012:
first draft
June-December 2012: self-edits, assisted by my local writing group
December 2012: hired a local editor to do developmental edits
January-March 2013: frantic revisions/re-structuring* based on editor’s feedback
March 2013: attended Big Sur Writing Workshop for additional editing help
March-April 2013: more editing based on Big Sur feedback
April 2013: hired local editor again for line edits
April-July 2013: line editing
July 2013: signed with a literary agent and made major (and difficult) revisions based on my agent’s feedback
November 2013: literary agent sold my book to Harper
February-September 2014: re-structuring* and MAJOR, MAJOR revisions based on my editor’s feedback

After this will come copyediting. 🙂

And, let me tell you, it was all worth it. I love the characters and the story and the plot so much more than I could have ever imagined back when the idea first was born.

*The original draft had a chronological timeline. The local editor suggested I change it to a back-and-forth past-and-present timeline; I had six weeks to completely re-structure it before Big Sur. Then, later, my HarperCollins editor asked me to change it back to chronological order. She also gave me six weeks for the re-structuring.

The Beginnings of a Book

beginnings of a bookSometimes I let ideas come to me; sometimes I go out to find them.

Here’s what that looks like.

1) I start at BabyNames.com, looking for the names of my next set of characters. I love names, so this is perhaps not a shocker. I have a penchant for short names that are uncommon without being ridiculous. It’s hard to explain how I know when I’ve found the right name– I just DO. Sometimes it feels more like archaeology than creation, as if I am simply unearthing what was waiting to be found as opposed to inventing what was waiting to be fashioned.

2) Armed with my characters’ names, I go looking for their pictures. Thank you, Pinterest. I’ll peruse board after board of faces till I find the ones that match my names. This part of the process feels like sculpture. I’ll find a picture and realize, “Oh, she’s got red hair!” then another and “Oh, and gray eyes!” All the while I am chiseling an image out of a block of marble until I find the “aha!” photo and say, “There. That’s her.”

3) I like to have very, VERY large-scale idea of the plot– even if it’s just one sentence: girl in foster care falls in love. Or wards of the state experience hospice care. Or girl runs away with the carnival. I’m completely okay with leaving this idea zoomed out to 10,000 feet at this point.

4) Meanwhile, my characters need to have something they care about. Preferably it will be something I care about– at least enough to research and write about and live with for the next couple years. This search often involves Wikipedia and Quora, the public library and the university one.

5) Now I need a hook. What’s one fascinating idea these characters can explore? Again, lots and lots of research, including books of anecdotes, philosophy, mythology, symbolism, trivia. I read and read and read until something fits and I think, “Those are deep waters, and I’m ready to go from the shallow end into the depths.” At this point, I usually request one trillion library books and read everything I can find about this idea online.

6) I need to get to know my characters better, so I fill out two specific questionnaires about them. The first set of questions comes from Gotham Writers’ Workshop.  The second set is from this Yingle Yangle post. By the time I’ve finished filling these out, I usually have a whole boatload of ideas for scenes.

Then, after all this …

7) I finally start to write.

How about you? What are your earliest steps of writing stories?

Related posts:
Idea Factory
All In: Ideas & Writing
Fiction: How I Start

Four Thoughts on the Writing Life

writinglifeIt’s so lonely.

Writing is quite solitary. Even though I am part of a writing community– and have so much support and collaboration with dear friends– in the end, I have to do the work alone. I can’t explain just how alone I have felt over the last month or so, especially being single. Theoretically, I understand that even if I were dating or married, I would still have to do the hard work of revisions on my own, but … I’ve felt a little untethered and singular. Very, very much solo in this treacherous territory.

It’s so hard.

Harder than I ever imagined. I’m not referring only to the actual act of writing here … but to the head game. I get to a point where I start to hate my manuscript … my beloved story that I’ve poured my soul, energy, and tears into. Do you know how crippling that is– how it folds your spirit into such ugly shapes that you worry you’ll never sort yourself out again? I’m back in therapy, folks.

But I still want it.

Things got pretty dark– to the point where I started questioning my identity as a writer, ultimately asking myself, Is this really what I want? There, in the darkness, I saw a pinprick of light: the certainty that my answer was yes.

And I’m not really alone.

My lovely new therapist asked me to picture the Holy Spirit sitting beside me, looking at our manuscript, saying, Look what we’ve made. It made me bawl. Of course. I so desperately want to honor God with my fiction. The thought of him looking on my manuscript with pride was such a reminder to me that no matter how lonely this road seems, I have a faithful companion.

Related posts:
Writing is Hard … but Worth It (I Think)
Writing and/or Life, Both Hard
The Good & Bad of Writing
Being Single and Writing a Book

Image credit: Unsplash, modified by me

Back to School: Book Characters at My Lunch Table

my lunch tableTom Mackee & Jimmy Hailer
Saving Francesca by Melina Marchetta | Thoughts
I just love these two. So much comic relief.

Ben Cassidy
Jellicoe Road by Melina Marchetta | Review
He’s freakin’ hilarious. I can’t get over him.

 

Rudy Steiner
The Book Thief by Markus Zusak | Thoughts
That sweet impish smile.

Augustus Waters
The Fault in Our Stars by John Green | Review
For metaphorically-fraught meals.

Jamie Beaufort-Stuart
Code Name Verity by Elizabeth Wein | Review
I just adore him.

Four
Divergent by Veronica Roth | Review
Um, duh. Because he’s Four.

Richard Gansey III
Raven Boys by Maggie Stiefvater | Review
Top-siders and polos and his sweet Virginia drawl.

Risa Ward
Unwind by Neal Shusterman | Review
She’s brilliant, and I love her and want to be best friends.

Hermione Granger
Harry Potter by J.K. Rowling | Questions
Always, always want her around.

How about you?

Top Ten Tuesday is a weekly meme hosted by The Broke & the Bookish.