Bullseye

There are days–sometimes just moments–when the problems of a manuscript start to be solved one by one, and the author has this distinct feeling of playing one of those sharpshooter carnival games, knocking down one target after the next. A quick succession of ping, ping, ping, ping.

That’s this weekend. It feels like victory, like a turning point. There’s doubt mixed in too. But that’s expected.

It’s been a weekend full of prayer, journaling, strategic research, and thoughtfulness. Very little time with the actual manuscript, a lot of time with my process journal.

There will be more problems to solve soon enough. But for today, I am reveling in the ones that have solutions.

And I’m excited to write!

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Thoughts on ERP, Writing, & Uncertainty

Uncertainty.

For so many years, it was my enemy– or so I perceived it, especially because full-blown clinical obsessive-compulsive disorder made me fear and reject uncertainty even more than the average bear. Everything in my life was about pursuing certainty, answers, black & white.

And, of course, I was miserable.

In 2008, I went through the harrowing but ultimately beautiful process of exposure therapy, which took my OCD out at the knees, giving me the bandwidth to live with uncertainty, questions, and all the shades of gray.

It’s only recently that I’ve recognized exposure therapy as the training ground (or maybe even battle ground) that would let me later pursue my dreams of being an author.

A hard truth: writing is full of uncertainty. 

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Not just writing– but publishing itself too. There is this crazy-making stretch of life in the middle of writing a book that feels both unclear and perpetual. What is this book really about? Who are these characters? Can I do this? Can I finish this? Is this story going to matter to anyone but me? Is this going to even matter to me? Will my writing group like it? Will my agent? My editor? Readers? Will I find success? Will I get another contract?

The writing life is, for many of us (and especially for younger writers), a world in grayscale: a constant state of uncertainty that we have to persist in in order to find any relief or success.

For as many days as I think I’m totally failing at life and writing, I have to remember what it would have been like to be writing and publishing before exposure therapy, back when uncertainty was unbearable. I’m not even sure how it would have been possible to be doing what I’m doing now without exposure therapy laying the groundwork for me to bear the not-knowing, let alone to thrive in it.

“The world doesn’t work that way.” I hear myself and other OCD awareness advocates saying this to sufferers all the time. In context, we mean, “Life inherently is full of uncertainty. You cannot eliminate it.”

The truth of that hits me over and over again in the field of writing.

Exposure therapy was the terrible, grueling practice for the writing life. Uncertainty is rampant; I try to keep my arms open.

 

Striking Out

It just occurred to me as I titled this post that “striking out” can be positive or negative.

I’m striking out on a new adventure! 🙂

I’m striking out on this revision. 😦

I am hopeful that I mean the former.

I had a weird night, mostly in that I didn’t sleep, not for one minute. I stayed up looking at clickbait, and then it was one am, then I stayed up reading, and then it was four am, and then I watched YouTube, and then it was six am, and then the sun was up and I wasn’t tired whatsoever, so I got up, went downstairs, and now I’m on my computer, and it’s seven-thirty am, and I just yawned. This is my life.

Anyway, I’m diving into a new revision today. I plotted and prayed (and need to do more of both, I’m sure), but long-time blog readers will know that too much plotting destroys my soul and the soul of my stories, so I’m walking into the battlefield mostly unarmed.

Writing takes so much courage. It costs me just to open up my document.

And even though I prefer going in with just a minimal plan, it’s still really, really scary. (Maybe even scarier? I hate to pit plotters and pantsers against each other. Writing– period– is just really hard and vulnerable and frightening– period.)

Think of me today.

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Perspective in Three Parts

I.

I keep letting a piece of my identity wipe out and overshadow the whole rest of my identity.

II.

This is still nothing compared to the old dark days of OCD.

III.

Let nothing disturb you,
Let nothing frighten you,
All things are passing away:
God never changes.
Patience obtains all things
Whoever has God lacks nothing;
God alone suffices.

— St. Teresa of Avila

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Expectations vs. Reality

I just sent myself a letter five years into the future about what my expectations of being a published author were versus what my reality looks like. The chasm is vast and disappointing, and I needed to write this letter just to put it down in words and to cast it into the future with the wild hope that I won’t always be as lost as I feel right now.

My friend Kathy Ellen recently posted this on one of her Instagram accounts:

great mail day

It made me think.

What if the thing that has made me unhappiest is also the thing that has made me happiest?

Do you run to or from a paradox?

time & books & paradoxes

As many of you regular blog readers already know, I just recently set aside the novel I spent the last 14 months working on and decided to instead focus on a different story.

Today my editor emailed me with a new timeline: Salt Novel will likely be published in summer 2018.

On the one hand, this is such a relief. I’m tremendously grateful for an editor who cares so much about putting out a quality piece of literature that she’s willing to give me the space to make it the best it can be. So many publishers seem to demand a book a year from their authors, and my life is just not conducive to that kind of rushed production. I’m lucky.

On the other hand, one of my writer-friends just announced today his book deal for books #3 and #4. He debuted with me last year. His second book comes out this year. The third in 2017, and the fourth in 2018. And I can’t help but think, Wow, he will have four books out when my second one is published. There’s a little bit of envy there, yes.

I don’t know. I’d love to be prolific, but the stress of producing a book a year doesn’t feel worth it or even realistic for me. I am so glad for the extended timeline, but then I wonder old books isolated on whiteif my career is going to be hampered by it.

Just sounding off tonight. Needed to type up my thoughts. Care to chime in?: do you get antsy when your favorite writers take a long time to write their books? Or do you appreciate it?

 

This Week Has Been Whoa

So, I’m sitting here debating how much I want to say, and instead, I think I just need to start.

This week has been wild.

WILD.

emotionalrollercoaster

On Sunday, depression surged up and wrapped its ugly hands around my throat. But I don’t mess around anymore. I called in all the reserves: meds, essential oils, tons of water, vitamins, meeting with my therapist, a chiropractic adjustment. By Wednesday, my world wasn’t ending anymore.

Which is interesting because on Tuesday I talked to my editor about Yes Novel, and she said, “Start over.”

Yeah, you read that right. Start over.

But guess what? That conversation made me so happy. I’m serious. Because I wasn’t feeling good about Yes Novel (haven’t been for a while!) and so to hear my editor say that she wasn’t either meant we were on the same page. That’s such a good feeling. I can’t tell you what a relief it is (and how lucky I feel) to have an editor who is more committed to putting out a good book than to staying on schedule.

Because I’m not afraid of working hard. But I’m terrified of mediocrity.

(More thoughts coming soon about my battle against perfectionism.)

So, I started to re-think Yes Novel and what changes I wanted to make if I started to rebuild it from the foundation up. It needs a lot of work, guys. It made me think of the novel I set aside in November 2014 in order to start writing Yes Novel. It’s a manuscript that I’ve re-visited over the last year more than once. I’ve missed the characters. I’ve missed the island where it takes place. It has more things in the right places than Yes Novel does.

In one fifteen-minute drive home, I’d all but convinced myself I wanted to switch projects again. Again. (Remember this?)

I emailed my editor and asked her to take a look at my old manuscript (let’s call it Ardor Novel), and she agreed.

This morning she emailed that she was excited about the manuscript!!

Does that mean I’ve officially switched from Yes Novel to Ardor Novel?

No. But probably.

And I couldn’t be more excited. Stay tuned to learn more about what has happened in the past year behind the scenes to prepare me for returning to this story.

But for now, please leave a kind comment for this pummeled, anxiety-ridden writer who is currently jacked up on bookish adrenaline. I’m exhausted. But I’m almost shaking with excitement. I could use some cheerleaders!

Reflection on my 2-Year Anniversary of My Book Deal

So, today is not actually the anniversary of my book deal. That was two days ago. But today is the day that I announced it on social media. And while congratulations and accolades were pouring in from all over, I was experiencing my first panic attack.

I’m still not sure if I should call those experiences in late 2013 panic attacks. They were certainly brought on by panic. And they were certainly extremely physical. If there’s a better way for me to label it, please let me know.

It’s weird to look back on it now. On this day in 2013, I talked to my beloved editor for the first time. It was a wonderful call. She told me how much she loved my characters and my story, how excited she was to work with me. And then, she mentioned– almost in passing– such a significant change to my story that, later that night, I experienced the most visceral, physical reaction I’ve maybe ever gone through.

Just another reminder how much social media lies. In my memory, I was replying to comments about how excited I was– while I was sobbing in my apartment, praying my guts out, my heart racing, my mind racing, everything racing.

This pattern would unfortunately continue for a few months. Finally, I talked to my psychiatrist about the panic, about how I wanted something– anything– that would reduce the physical reaction. That’s when I first got my prescription for Ativan (Lorezapam). I continue to take this very sparingly, usually just a few times a month, though sometimes more than once in a day.

This also prompted me to go back into therapy. I started meeting with Amanda, my darling therapist, who has been a voice of reason, a true supporter, and– best yet– someone who legitimately likes me. I am still meeting with her, although now it’s about once a month, whereas we used to meet once a week.

And here’s the thing: I survived. I learned how to communicate with my editor. I learned how we are partners. I took nearly all of her suggestions– but I held out on that one, the one thing that caused that first night of extreme panic. And in the end, I can truly say that I love my novel. I’m so happy with how it turned out, so proud of it.

I’ve learned such a tremendous amount about publishing and writing and myself over the last two years. And I’m not ashamed of the Ativan or of the therapy; how could I be ashamed of getting myself help when I recognized I needed it? I’ve learned how to partner with an editor. I’ve learned how and when to disagree with an editor. I’m a better, smarter person and a better, cleverer writer and have a better, clearer understanding of my emotional and chemical make-up.

The last two years were some of the hardest of my life. But some of the best.

When Writing = Death

Look, I’m not the first one to comment on this. Not even close.

You have an idea– a bright, beautiful, perfect idea– and then you start to write it down, and it dies on the page. It becomes imperfect. It gets messy.

Ann Patchett said her ideas are like beautiful butterflies that soar around in her mind, and then when she starts to write, she takes them and pins them to a board. Death.

Chuck Wendig blogged about it recently, saying, “Writing and storytelling is this… nasty task of taking the perfect idea that exists in your head and shellacking it all up by dragging it through some grease-slick fontanelle in order to make it real. You’re just shitting it all to hell, this idea. You have it in your mind: golden and unbreakable. And then in reality, ugh. You’ve created a herky-jerky simulacrum, a crude facsimile of your beautiful idea run through the copy machine again and again until what you started with is an incomprehensible spread of dong-doogle hieroglyphics.”

Sometimes it’s like I can see this perfect book; it’s shining like an angel at some perfect finish line. And when I sit down at my computer, I’m trying to run toward that finish line, but instead my running is sideways, disoriented, like the way my siblings and I used to spin until we were dizzy and then race each other. The whole time I could see the silo on the other side of the lawn– whoever reached it first would win– I could see it and was trying to run toward it, but my legs kept yanking me to the side like I was some drunken pre-teen.

It’s no wonder I sometimes avoid my manuscript.

Chuck’s blog post went on to say, essentially, write anyway: “Those who try to master perfection will always fall to those who iterate, and reiterate, and create, and recreate. Art is better than philosophy. Creation, however clumsy, is always better than sitting on your hands and fearing what damage they can do.”

Writing takes courage. Writing means walking in the shadow of death while still trusting in life. It means daring to wade into the mess in order to find that spark of life, of beauty, instead of being content to just daydream of perfection.

My prayer these days is “Help, God. In every way, help.”