Tidy

And the winner isFor right now– this exact second– I feel on top of things.

I’ve created a detailed word count goal chart, and I’m so far ahead that I technically don’t have to write till Wednesday. (But I will.)

My mom is coming over tomorrow (football what?) to work on putting the finishing touches on my house. Guys. It looks so great. It’s come so far since the end of April! (As one might hope.)

I just cleaned my bedroom. Current and former roommates can attest that that is no small task.

I gathered all my tax documents together. I’m not totally failing at adulthood.

I’m going to church in the morning, and it’s at our old-new building. (Our original site when we launched in 2010 was purchased out from under us, but this winter we had the opportunity to buy it! So tomorrow is a sort of homecoming!) There is much more to be said about this, but I’m not ready yet.

I paid off my credit card.

I get to see my family, my therapist, my psychiatrist, my best friend, and my writing group this upcoming week, and yet my schedule isn’t too crowded.

Gold medal, Sommers. Way to keep the ship afloat.

*Someone send me this post next time I freak out.*

Writing & Anxiety

I wanted to write a little post about writing with an anxiety disorder. I understand that what I’m about to say might sound ungrateful, especially to writers who would give anything to have a book contract. I hope you can take it for what it is: my honest thoughts. I love my editor to pieces. And I love HarperCollins. This post is not about them. It’s about anxiety as a writer, which exists regardless of editor or publishing house. I repeat: this is not about my publishing house. This is about my anxiety disorder.

I have obsessive-compulsive disorder, an anxiety disorder that has been well-managed since 2008 when I underwent intense exposure therapy. In the first year and a half after exposure therapy, my obsessions and compulsions dwindled down to zero. Nothing. Nada. It was this rush of freedom that I hadn’t experienced since I was a child (no really– my OCD kicked in around age seven). In the years after that, it picked up a little bit, but nothing like it used to be.

It was probably a little foolish to think that anxiety was behind me.

In 2012, I started writing the novel that would become my debut, Truest. I had a blast writing this novel– there was no pressure, no deadline. I loved (and still love) the characters and the themes I dove into, and there was no timeline for the book to take shape. If it took four years or five or ten, it was all good because I had a full-time job and was writing for pleasure and passion and calling.

It ended up taking about a year and a half, at which point, I queried literary agents. I was lucky enough to be offered representation within a month or so, a tremendous blessing as querying can sometimes be long and torturous. (And actually, it still felt long and torturous.) My agent is incredible, and he found a home for Truest with HarperCollins only a couple months later, a two-book deal. I was over the moon for this opportunity and still am.

I got my book deal on a Wednesday in November. Two days later, I talked to my (now beloved) editor for the very first time. That night, I had my first panic attack.

In the words of Kurt Vonnegut, And so it goes.

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The anxiety that followed in 2014 was so intense and unexpected and alarming that I ended up back in therapy, although not for OCD-related anxiety but for … writing-related anxiety? Was that even a thing? Apparently, for me, it was. And is.

But I battled through it. I cried a lot. I experienced enough panic that I got a prescription for it. I was meeting with a therapist every single week. I prayed. A lot. I had hard conversations with my editor, who was receptive and brilliant through it all. In the end, I had a polished book: Truest, which came out in September 2015 on one of the proudest days of my life. I love Truest. It’s the book I was called to write, and I stand by the decisions I made. I’m so delighted that readers have enjoyed it and that it’s been thought-provoking, something that’s really important to me.

I thought, “Okay, I survived. Now I know what I’m up against. Now I know my editor is on my team. Now I’m armed with resources. I can write another book.”

It was probably foolish to think the anxiety was behind me.

It was on my heels. It is on my heels. It whispers to me that I’m worthless, that I don’t know how to write, that I’m not cut out for this life. And, to be strictly honest, I’m not at this exact moment sure whether I am or not. Not for writing. I love writing and will always write. But for the life of publication. I’m not sure if I’m built for that life.

Writing my sophomore novel has not been the same fun, carefree experience of writing Truest. There are deadlines– and even though they are sometimes flexible, there is a real horror in that flexibility too (What I mean is that there is this fear that you will never produce something of publishable quality again … and so the deadline is perpetually extended, and that obligation is perpetual … is that not its own form of hell?). There’s money that has exchanged hands, and so there is a figurative and literal debt hanging over you. There’s this overwhelming blank slate: my editor bought Truest after reading it, but she bought novel #2 sight unseen, so there’s not that same devotion to it, not that same buy-in, not that same feeling of I-love-this-particular-work-and-want-to-publish-it. It’s like trying desperately to create something that will capture the publishers in the way your first novel did … except that your second novel can’t be too similar to your first. So now you have this request to write something distinctly separate from the novel you know your editor liked … something distinctly separate but something your editor will like regardless. It can feel like living in a paradox. It can feel like you’re a performing monkey.

Sometimes it means that you spend fourteen months on a novel that, in the end, just isn’t cutting it. And you start over. And then, when you start over, a (huge) part of you thinks, “What if I work on this for fourteen months and have to start over?” And when you have an anxiety disorder sometimes you live in extremes and you start to think, “What if I do this over and over and over, and nothing is ever good enough to be published, and I live my whole life in this struggle to produce something quality and I just can’t hack it?”

And when the anxiety ratchets out of control, you might even find yourself resenting writing under contract … you know, that contract that you wanted all your life, the one that made you feel like you won the lottery, the one that you’re still so desperately grateful to have with a publishing house that’s a giant. A giant … and you feel so small, and your books feel so small, and your fear seems so huge. And you think, Oh my gosh, I’m in Honey I Shrunk the Writer: a world and career so much bigger than you feel you could ever be, and the shame and anxiety and pressure and stress just pile up more and more and more.

You wonder: am I the only one going through this? 

I asked around, found out that several of my writer-friends had some of the same experiences with their second books too. I don’t know if they also deal with anxiety because they seem to handle it a thousand times better than I do, but maybe that’s because I have a blog that straddles the line between vulnerability and TMI.

But the bottom line is this: I love to write. I am called to write. So I will write.

Will I always write as a career/for publication? Who knows. I’m learning and growing with every experience. Ativan helps. Therapy helps. Prayer helps. Hearing from readers who love Truest helps. Having an editor with a huge heart and a whip-smart mind helps. Having a team of best friends and encouragers helps. Experience helps.

And so it goes.

 

Green Lights in Writing

A green traffic light with a sky blue backgroundI can have the most incredible idea on paper … and then, when I start to try out the scenes, the characters, or whatever, maybe nothing feels right. There’s no excitement, there’s no drive, there’s no flood of creativity.

Because I’m a fan of and not afraid of hard work, I take this pretty seriously. I stop to question whether there’s no green light for a reason.

I’m pretty vocal about my faith, so for me, I often equate this with a supernatural redirection– but even if you’re not religious, you might still believe in ideas like kismet or gut feelings and intuition.

So, what about when you have an amazing idea and no green light? Then what? Do you go with an idea that seems “lesser” but has a green-light excitement and feel to it?

I think so.

hope so.

With faith.

Now, note that I’m not trying to discourage hard work. I think it would be a horrible idea to give up on a great idea simply because it’s hard. By this green light idea, I’m talking merely about setting aside a great idea because it’s wrong.

Writers, any thoughts on this? How hard do you push an idea that doesn’t “feel” right? Does this green light concept ring a bell with you or am I totally talking nonsense?

Imagination & Skill

I can imagine a lot. I can imagine a perfect book. (Frankly, it looks a lot like The Piper’s Son by Melina Marchetta.)

But my skills as a writer don’t stretch so far. At least, not yet. I’m still such a novice.

I’m very proud of Truest. I know it’s not perfect, but it’s the very best I could offer at age 33. I’m turning 34 on Sunday. I wonder what my very best will look like this year and next.

My editor “set me loose” for the next week to see what damage I can do to my manuscript of Ardor Novel. I’m thrilled. Terrified. Trying so hard to remember to honor the process: write, feedback, revise, repeat. I’m on step one of a long process. I’m at Go.

Writing is such a fearsome thing.

I love it; I am afraid of it.

Trying to remind myself of the gameplan, which is mostly the voice of Anne Lamott: Bird by bird. Butt in seat, hands on keyboard. Show up. Shitty first drafts.

And my own voice: Choose joy. 

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This Week Has Been Whoa

So, I’m sitting here debating how much I want to say, and instead, I think I just need to start.

This week has been wild.

WILD.

emotionalrollercoaster

On Sunday, depression surged up and wrapped its ugly hands around my throat. But I don’t mess around anymore. I called in all the reserves: meds, essential oils, tons of water, vitamins, meeting with my therapist, a chiropractic adjustment. By Wednesday, my world wasn’t ending anymore.

Which is interesting because on Tuesday I talked to my editor about Yes Novel, and she said, “Start over.”

Yeah, you read that right. Start over.

But guess what? That conversation made me so happy. I’m serious. Because I wasn’t feeling good about Yes Novel (haven’t been for a while!) and so to hear my editor say that she wasn’t either meant we were on the same page. That’s such a good feeling. I can’t tell you what a relief it is (and how lucky I feel) to have an editor who is more committed to putting out a good book than to staying on schedule.

Because I’m not afraid of working hard. But I’m terrified of mediocrity.

(More thoughts coming soon about my battle against perfectionism.)

So, I started to re-think Yes Novel and what changes I wanted to make if I started to rebuild it from the foundation up. It needs a lot of work, guys. It made me think of the novel I set aside in November 2014 in order to start writing Yes Novel. It’s a manuscript that I’ve re-visited over the last year more than once. I’ve missed the characters. I’ve missed the island where it takes place. It has more things in the right places than Yes Novel does.

In one fifteen-minute drive home, I’d all but convinced myself I wanted to switch projects again. Again. (Remember this?)

I emailed my editor and asked her to take a look at my old manuscript (let’s call it Ardor Novel), and she agreed.

This morning she emailed that she was excited about the manuscript!!

Does that mean I’ve officially switched from Yes Novel to Ardor Novel?

No. But probably.

And I couldn’t be more excited. Stay tuned to learn more about what has happened in the past year behind the scenes to prepare me for returning to this story.

But for now, please leave a kind comment for this pummeled, anxiety-ridden writer who is currently jacked up on bookish adrenaline. I’m exhausted. But I’m almost shaking with excitement. I could use some cheerleaders!

Perfectionism Digs a Deep Hole

Exhibit A.

doubt

Exhibit B.

mm no

Exhibit C.

ideas

Exhibit D.

brene

Exhibit E.

Runner crossing finish line

Achiever. That’s honestly my #2 strength after Learner via StrengthsFinder. But so often it doesn’t feel like a strength; it feels crippling.

Perfectionism is something I’ve battled my whole life. I didn’t just want an A on the test, I wanted the highest score in the class. I might get 100% but if someone else also got an extra credit point, I’d feel like I didn’t perform well.

Performer. My freedom from OCD has given me so much freedom in this area too. I’m learning that my worth isn’t based on my performance.

But it’s still a lie I all too often believe.

I’m a writer. But I can never measure up to my own standards for myself, and so I walk around defeated even when I’m living my dream.

I don’t have answers to this. I just needed to share. Thanks for listening.

Hot Cocoa. Again. Please.

I just need to blather for a while, friends. Got your hot cocoa? Good. Let’s go.

I got some tough feedback on my novel last week. And I fell apart. Temporarily. As in, for about half an hour. This is improvement, folks. It’s just hard– so hard– so unbelievably hard– to pour your soul into something and then have it found wanting. (Nevermind that I myself find the manuscript wanting. It’s an entirely different thing to hear someone else voice it.) I tried to hold it together. I tried not to cry. Then I figured, what the heck, and let myself. Then I couldn’t stop for a while. I had a couple minutes where I thought, I can’t do this. This isn’t the life for me. I’ve moved on from that dark place. For now.

What sucks is that there’s more (and worse) coming. Last week were the preliminary thoughts. Soon there will be the smack-down. I’ll probably cry again, probably consider abandoning the life of publication for a while. But I’ll also probably bounce back, revise like hell, and come out on the other side with something I’m proud of.

I read somewhere that writers have to have thin skin in order to write well but thick skin in order to publish. How do you have both? I know I wrote about compartmentalizing. I’m trying. I’m trying.

Star Wars was amazing. I’m so ready to be in the “safe zone” where I can talk through things without worrying about spoilers. Let’s just say that it was so refreshing to see a female lead like Rey. Daisy Ridley knocked it out of the park, and tonight I found myself tearing up over this article. (Warning: spoilers!)

I got the sweetest message from a reader on Instagram. truest messageMoments like this make the pain of publication so worthwhile. And notice that I said the pain of publication. I’m starting to separate things a little bit: the writing is a joy. The publication process is what’s so hard, I think. (And don’t get me wrong– I have an editor with a heart the size of the ocean. It’s not her. It’s me.) Even above where I wrote about “considering abandoning the life of publication”– I wouldn’t consider abandoning writing. I have to write. It’s my calling. I would feel so vacant if I wasn’t creating.

But publishing. Man, is it ever hard. At least, it is for me. I wonder if I will still feel this way after I can no longer count my books on one hand.

I’ve read four hard books in a row. About mental illness. Abortion and depression. The Holocaust. Losing the physical ability to pursue one’s dreams. I haven’t reviewed them all. I’m not sure that I will. I really like for my blog to be a place where I can really sing about the books I’ve loved. Not that I want to read fluff! I’m never really one for fluff. But maybe I need a little fluff. The last four books just pressed me deeper and deeper into the earth. I need a book to hold out a hand to me, pull me out of the hole. Any suggestions? These are the next ones on my radar, but I’d love to hear your suggestions.

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It’s snowing in Minneapolis tonight. It’s not supposed to stop until 6 pm tomorrow. And I’m okay with it. For tonight. For this exact moment.

How are you, my friends?

 

 

Truest Characters Beyond the Book

Someone asked me, “Do you ever dream about where your characters are now? Who they’ve become and how they continue to grow?”

Yes. 

Mostly because I think that one day I’d like to return to Green Lake to catch up with the gang, so I always have a little part of me that is thinking about what that story would entail and would happen to them in the interim. I have a vague idea of what happens to West, Silas, Elliot, and Whit in the years after Truest ends.

Am I going to tell you those ideas?

Sorry. No. Not yet.

I leave you with this poem.

But bottom line: assume the Green Lake kids are happy unless I write another book about them someday (which would necessitate conflict, of course).

Reflection on my 2-Year Anniversary of My Book Deal

So, today is not actually the anniversary of my book deal. That was two days ago. But today is the day that I announced it on social media. And while congratulations and accolades were pouring in from all over, I was experiencing my first panic attack.

I’m still not sure if I should call those experiences in late 2013 panic attacks. They were certainly brought on by panic. And they were certainly extremely physical. If there’s a better way for me to label it, please let me know.

It’s weird to look back on it now. On this day in 2013, I talked to my beloved editor for the first time. It was a wonderful call. She told me how much she loved my characters and my story, how excited she was to work with me. And then, she mentioned– almost in passing– such a significant change to my story that, later that night, I experienced the most visceral, physical reaction I’ve maybe ever gone through.

Just another reminder how much social media lies. In my memory, I was replying to comments about how excited I was– while I was sobbing in my apartment, praying my guts out, my heart racing, my mind racing, everything racing.

This pattern would unfortunately continue for a few months. Finally, I talked to my psychiatrist about the panic, about how I wanted something– anything– that would reduce the physical reaction. That’s when I first got my prescription for Ativan (Lorezapam). I continue to take this very sparingly, usually just a few times a month, though sometimes more than once in a day.

This also prompted me to go back into therapy. I started meeting with Amanda, my darling therapist, who has been a voice of reason, a true supporter, and– best yet– someone who legitimately likes me. I am still meeting with her, although now it’s about once a month, whereas we used to meet once a week.

And here’s the thing: I survived. I learned how to communicate with my editor. I learned how we are partners. I took nearly all of her suggestions– but I held out on that one, the one thing that caused that first night of extreme panic. And in the end, I can truly say that I love my novel. I’m so happy with how it turned out, so proud of it.

I’ve learned such a tremendous amount about publishing and writing and myself over the last two years. And I’m not ashamed of the Ativan or of the therapy; how could I be ashamed of getting myself help when I recognized I needed it? I’ve learned how to partner with an editor. I’ve learned how and when to disagree with an editor. I’m a better, smarter person and a better, cleverer writer and have a better, clearer understanding of my emotional and chemical make-up.

The last two years were some of the hardest of my life. But some of the best.

Being a Creator is Uncomfortable

Writing a novel is a long, difficult journey full of emotions. Some days I’m thrilled with my work; some days it disgusts me. Sometimes I feel a sort of writer’s high; often I am in a slump.

But amidst all the join and pain of writing, I experience this level of … discomfort. Discomfort is probably the best word for it.

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I’ve been thinking a little bit about it, and I have a few random thoughts. Do you care if I use bullet points? Thanks.

  • My discomfort stems from having something incomplete. I understand that the nature of creation is that something is being created and that likely doesn’t happen in a moment. But I hate having messy drafts. I want to know that if I got hit by a bus today, something could still be done with my manuscript. (Gruesome much, Sommers?)
  • I think this discomfort is a huge reason for how driven I am in writing. I go into beast mode as I write and revise. And it’s all because I want to get the manuscript back to a modicum of order.
  • Does this say something about my innate desire for order? Maybe. (Though you would not think that if you looked at my bedroom. #tornado)
  • I’m thinking about God creating– some think he made the world in a literal six days (and rested on the seventh), some think those days are just metaphors, some think there is no God. But I’m intrigued at the idea of him hammering through all this creative work and then finally getting a chance to rest. Sometimes I feel that way too. I have to get this work done before I can properly rest and recover.
  • I understand that I need to learn to live with this discomfort. It’s been the major lesson of my adult life: learning to embrace uncertainty, learning to stay knee-deep in discomfort until I acclimate. I am trying to stretch these lessons to my creative life. I tell myself I only need to revise 1000 words a day … but then I barrel through and do 10k because I can and because it’s uncomfortable and because I want to get things back to good. But how much more will I learn if I stay in the discomfort? I don’t know.

Just some thoughts for you. Would love to hear if these ideas prompted any reaction in you.

Thanks for being lovely.