Thoughts on Writing: Navigating the Road to Publication

thoughts on writing 3So, you’ve sent out your query letters, signed with a literary agent, and secured a book deal. Your dream is in writing, in the language of a contract. Now what?

REVISIONS

The Mighty Scope

I swear HarperCollins purchased my book based on its potential. My editor’s first request was to rewrite the entire ending, beef up a handful of characters, and completely change the chronology of the book. In six weeks. 🙂

The Editor-Author Partnership

Up till this point in my life, I’d had two critique relationship experiences: in college, where if my professor suggested something, it was in my best interest to make those changes; and with my writing group of peers, where I collected ideas and feedback, but it was fully my decision whether to implement them or not. Working with my editor at HarperCollins was different– she was not my professor, though she did have more experience with writing and with story than I did; and she was not my peer, though she treated me with respect and genuine warmth. It was just a new scenario. We were partners in this project, and I had no idea what that was supposed to look like.

Ultimately, I learned to try everything she suggested. Usually I ended up loving it. If I didn’t, I would talk to her about why it wasn’t working, and we’d scrap it. There were very few things that we completely disagreed on, and in those 2-3 things, she let me win.

The Panic

The anxiety that followed my book deal was so intense and unexpected and alarming that I ended up back in therapy.

And so it goes.

COVER ART

I’m often asked how much influence I had on the cover of my novel. I had always heard that an author had zero input— but that wasn’t quite true in my experience.

First, I was asked for my thoughts:

We will fill out a form to share with our designers—who work serious magic and make the best looking books in the industry—but we want your thoughts, too. What sort of design or image do you picture for your cover? Photographic or iconic? Is there anything you absolutely don’t want? Are there other books whose covers you admire? As much info you can give us will help us—and the designers—create the perfect look for TRUEST.

truest-doodlesI was later shown eight choices and asked for my opinion again. They ended up going with my second choice (although by the end it was my absolute #1 favorite!), and let my thoughts guide multiple changes.

To see the detailed evolution of my book cover, click here.

MARKETING

A couple months after my publication day, I made some notes about what I learned:

  • I loved my street team, but I did everything too early and put too much money into it. I tried to come up with enough swag to entice readers to join the launch team, but I think the people who joined it would have joined it for less. In future, I will probably do a street team, but I will a) give them only the ARC plus some exclusive content, b) do everything within a month of the release date.
  • I would absolutely dish out the money to do a couple book tours during the release month. I’ll be doing a couple of those here in November and December, but I really wish I’d had the foresight to do them in September. Newbie!
  • At every event (except maybe the launch party), I would also promote other books that I enjoyed. I really want to give back in this way, plus I want bookstores that host these events to sell more than just my book.
  • I made a handful of promo materials. I probably should have just come up with one incredible idea, made a ton of them, and then given them out EVERYWHERE.
  • Here’s one that might shock you: I would have been more spoiler-y in my flap copy (i.e. the text on the inside flap of the book). A story about three teens in the summer isn’t particularly compelling, but once I mention that one of them has a disorder that causes her to question whether she’s in real life or just dreaming, I see lightbulbs go on. Every time. I’ve been looking at the flap copy of other books, and theirs is open super spoilery … and it doesn’t hurt the experience of the book. I think this was a big mistake of mine.

PUBLICATION

Celebrate Like Crazy

I will never regret having a huge launch party on the day my book came out! It was so much fun and so special to have people I love from so many parts of my life come together to celebrate my book … and to celebrate me. I had heard from so many writers that their launch day was “just another day,” and I wanted so much more than that: a celebratory climax to the day I’d been counting down from for nearly two years (or my entire life, depending on how you look at it). YES to release day parties.

The Magic of Kind Words

It’s hard to explain just how special it is to hear words of praise about your book. In the midst of fear and reviews and silence, sweet words at the exact right moments are each like a miniature rescue.To hear that you’ve made someone rethink things or that your book changed their life or became a new favorite or that they connected with a character or that it gave them hope during a particularly hard experience … it makes it all worthwhile. Please tell authors when you love their work. It’s like fuel, an instant battery-charge, strength to continue. I have an Instagram comment that has taken up permanent residence in my heart, ringing like a little bell.

THEN WHAT?

You get back to work.

This is the writing life.

 

Did you miss the other parts in this series on writing?

Part One | Part Two

thoughts on writing 1thoughts on writing 2

Thoughts on Writing: Query to Contract

thoughts on writing 2In part two of my Thoughts on Writing series, I wanted to share with you the details around getting a book deal.

As a young writer, I thought it went something like write a manuscript –> mail it to publishers –> if someone liked it, they would make it into a book. Voila!

Here’s the reality:

Querying
Very, very few publishers accept unsolicited manuscripts, and you’re told the way to get your story in front of an editor is via a literary agent, who will serve as a liaison between you and the publisher. So you begin your research, looking for agents who represent the kind of book you’ve written and whose brief wishlist on their website makes you think they might connect with your story. You start to think weird thoughts, like maybe you’re making a real connection with someone’s … online profile. Like maybe the matrix is glitching on you as you read this one because this is the one. You make a list of 100 agents, telling yourself that if all 100 say no, then this book is simply not ready for publication.

Meanwhile, you write a query letter, trying to be both professional and creative as you summarize your entire book into one paragraph, then into one sentence. You run hooks past all your friends to see which ones grab them, and it’s really impossible to tell because these same friends are so intimately acquainted with your story already that they are not at all objective.

(I’ve written in extreme detail about querying over here.)

On Submission
You start sending out the query letters– almost entirely via email, though every agent wants something different: query and synopsis and the first ten pages. Or query and chapter summary and the first three chapters. Or query alone, and you hope that one-page letter can find its feet.

It’s an emotional roller coaster. Some are interested, some are not. Some are silent and you won’t hear back from them until six months after your book has been published. Some ask for more chapters. Some ask for the whole manuscript. Some politely say no.

But someone says yes.

You sign with that agent, and– guess what– you get to keep your seat on that emotional roller coaster while your agent pitches your manuscript to editors. Rejection is likely, and you knew that, but that doesn’t mean it doesn’t still sting.

But then, one magical day, you get a call from your agent saying an editor loved it and has made an offer.

Everything feels surreal. You stand on the veranda outside of your office and call your dad and say, “I got a book deal.”

Contract
The contract comes later, so much later than you’d have guessed. It takes four months before you sign it, and even though you’ve already started on revisions with your editor, inking your signature onto those papers makes everything seem real. Maybe up till now you thought this was a trick or that you’d say something annoying and they’d call it all off.

Now it’s binding. You breathe a sigh of relief.

But relief doesn’t last long …
Next week: revisions, how advances work, choosing cover art, copy edits, ARCs, marketing, and release day!
Also in this series:
thoughts on writing 1
Part one 🙂

 

Fairy Tales & Tears

I.

Once upon a time, there was a young girl named Jackie Lea who loved to tell and write stories.  She made a short list of her life’s goals, and one of the items on the list was to publish a book.

Jackie Lea worked tirelessly toward this goal: she wrote all through high school and college.  She wrote after college too, and she created a writing group, and she spent her precious money on workshops and conferences and readings to help her become a better writer.

She was very, very tired.  But still very determined.

“If I can just get a book deal, I’ll have met my goal, and then just think how happy I’ll be!  I’ll be a professional.  I’ll be thrilled.  I’ll be validated,” she told herself.

Then one lovely November day, she got incredible news: an editor loved her story and was going to publish her!  Jackie Lea had worked hard, and all her dreams had finally come true.

II.

fairy tale4Except that the book deal added so much stress to Jackie Lea’s life that she felt overwhelmed and panicked, jealous of other writers, nervous about her revisions, terrified to give up control, and generally quite fearful.

And she would cry about it.

And that felt wrong too, because who cries in a fairy tale when her dream is coming true?

 

Image credit: Gabriela Camerotti