My Literary Boyfriends *revised*

helpIt’s time for an update on my love life.

(Please note: my entire love life is fictional.)

(For now.)

And so I present to you …


My Top 8 Literary Boyfriends

1. Silas Hart of Truest
Is it unfair that I put the boy from my own book first?  I essentially created him to be my perfect boyfriend, were I seventeen years old.  A deep-thinking, goofy-as-all-get-out, handsome young poet.  Yup.

2. Augustus Waters of The Fault in Our Stars
He takes metaphorically fraught freethrows, for goodness sakes.

3. Jonah Griggs of Jellicoe Road
Causing a riot is what he does best.

4. Sean Kendrick of The Scorpio Races
My newest love!  He can swallow you with his eyes.

5. Will Trombal of Saving Francesca and The Piper’s Son
“His voice is deep and gravelly. I once heard one of the girls say that he had the voice of a sex god, but because I’ve never really heard what a sex god sounds like, I can’t verify that.” Works for me.

6. Gilbert Blythe of Anne of Green Gables
Oh Gil!  You can call me “Carrots” anytime!

7. Max Vandenberg of The Book Thief
I want a Jewish fist-fighter to protect me.

8. Joe Fontaine of The Sky is Everywhere
The smile.  It always comes back to that smile.

Your turn!!

sorry

 

 

Wishlist

Five things I want:

1. A book deal.
This one is the top of the list.

weird and sexy2. A boyfriend.
And I want him to be funny and handsome and strange.

3. Money to go to all the conferences I wanted!
I’d really love to attend BookExpo America, the OCD national conference, SCBWI, and VidCon.

4. A bigger platform.
In other words, I wish my blog had 10 million followers or that I was an internet celebrity.

5. To meet Melina Marchetta and John Green.
I would die.

Random 5 Friday is a weekly meme over at A Rural Journal.

Frozen

Not literally.  (Not yet– although today was a rainy and cool Minnesota autumn day.)

But a little paralyzed about moving forward with my new novel idea.  (Is “a little paralyzed” an oxymoron?)

I have done my pseudo-writing.

I found an idea I’m really excited about.  (Surprise [to you and me]: it’s not at all what I thought it would be.)

I am armed with a first draft manifesto to wield against doubts, poor choices, and bad writing.

Heck, I even thought out the entire storyline.  I’m generally a pantser, so this is extreme, folks.

BUT …

I’m scared to commit to this idea.

And I’m intimidated by other great writers.

And I don’t know where to start.

HOWEVER …

That’s what my creative process looks like.  I need to trust it.

It’s just another go-around on the writing rollercoaster.

Here I goooooooooooooooooo!!!

crappyfirstdraft

Writing-Related Things I Want Even More Than Publication

crying writer1. To honor God.
2. To respect myself as a writer.
3. To tell the story that I want to tell.
4. To write books of depth that make people think.
5. To be proud of what I write.

 

There’s so much more to be said about each of these, but for today, I just wanted to make this declaration.

Random 5 Friday is a weekly meme over at A Rural Journal.

Review: The Scorpio Races by Maggie Stiefvater

scorpioLook at that cover, would you?  It has a horse on it.  And the word Races.  Those are two reasons why it’s taken me so freakin’ long to read The Scorpio Races by Maggie Stiefvater.

My friends, I was wrong– so very wrong— to have waited.

The Scorpio Races was absolutely incredible.

Even now, as I write a little summary, it doesn’t sound like something I would enjoy: a boy/man named Sean (he seems so much older than 19!) and a girl named Puck plan to participate in the Scorpio Races, a brutal race each November in which people die because of the bloodthirsty capaill uisce (mythical water horses) that are involved.

Horses.  Racing.  Bloodthirsty mythical beasts.

And yet, this book was SEXY.  

It reminded me all over again of why I had such a giant crush on Jim Craig from The Man from Snowy River.  Competency is so hot.

I had thought, going into the book, that the Scorpio Races would be this prolonged adventure (like the Hunger Games, I guess [though I haven’t read those]), but the race only covers a small spread of chapters.  So I think that made me feel like the beginning was slow.  But once I realized that I’d misjudged the premise, I fell in love with this book.

The writing is INCREDIBLE, and there is this dark savagery to the story.  The characters are layered and don’t fall into stereotypes.  The scenes are beautiful and intense.  The story is laced with religion and myths and lots and lots of blood.  The story is, as I said, sexy but in a beautiful, sensual way (not in a dirty or erotic way).  It’s hard to explain.  You’ll understand when you read it.

Because you WILL read it.  I require that you read it. 🙂

This book feels important to me and the next story I want to tell, just in the same way that The Fault in Our Stars was of critical import to Truest.  I want to go back and re-read so much of this book, and I just finished it.

P.S. Sean Kendrick is totally my new literary boyfriend.  He has one foot on the land and one in the sea.

“Sean reaches out between us and takes my wrist. He presses his thumb on my pulse. My heartbeat trips and surges against his skin. I’m pinned by his touch, a sort of fearful magic. We stand and stand, and I wait for my pulse against his finger to slow, but it doesn’t. Finally, he releases my wrist and says, ‘I’ll see you on the cliffs tomorrow.'”

“Sean, as always, gets by on one word while everyone else needs five or six.” 

“Sean does that slow sweep of his eyes that he does, the one that goes from my head to my toes and back again and makes me feel that he’s scanning the depths of my soul and teasing out my motivations and sins. It’s worse than confession with Father Mooneyham.”

Pseudo-Writing

What exactly is “pseudo-writing,” you ask?

Well, you could call it research.

More accurately, you could call it avoidance.

My pseudo-writing is usually writing-related, so I give myself a pass, but the truth of the matter is that it’s not really writing.

I fill out surveys about my characters.  I look online for pictures of the people and places in the story.  I draw maps of the location.  I get really obsessed about small details and spend hours looking up stuff related to it.  Sometimes I decide to design a bunch of stuff for my blog.

For example …

I knew that my character Jess was essentially Drew Roy.  That part was easy.

drew roy

But I literally searched the internet for hours to find a picture of Elly that matched the image in my mind.  I got sort of close a couple times, but finally I found this random photo.  And … it. was. Elly. A 100% match.

elly

There’s a greenhouse in the new story, so of course I had to find some photos of that too.

greenhouse

 

When I realized that one of the characters walked with a limp, I went off on a tangent, looking for photos of awesome canes meant for teenagers (there aren’t a lot out there).  I spent, oh, an hour or two researching canes.  (And wouldn’t mind some more photos, if you find any cool canes meant for a 13-15 year old boy.)

I still need to sketch out a map of the boarding school and nearby town where the story takes place.

Still trying to decide if pseudo-writing is productive or not … anyone care to weigh in?

 

My History as a Writer

DSCN1003I was thinking recently of my earliest days of writing, back in elementary school.  Indulge me while I share a few memories along my writing journey?  Thanks, friends.

The first time I can remember wanting to write a book was when I was in second or third grade.  In fact, I did determine to write a book– and so began copying down one word for word from a book about rocks (I was fascinated by rocks).  It didn’t occur to me that this was plagiarism. 🙂

Soon after that, my friend Megan and I decided to write a series (Nothing like diving right in, eh?  Straight from plagiarism to a full-blown series!) about a family of seven or eight kids we had made up.  We figured out all sorts of details about these kids (their last name was Poinonia), including what their personalities were like, their favorite foods, their ages and grades.  I remember there was a troublemaker named Otis.  There was also an older brother named Billy.  Other than that, I have no recollection.  After all this planning, I think I only ended up writing one story about them– in particular, about Billy, who fell in love with Kate.  Then they had to leave for college and their love was tested– they didn’t know how to find one another (it didn’t occur to me that you could tell your boyfriend/girlfriend where you were headed).  There was an epic fight for Kate’s love– and even a wedding!  I illustrated this book too.  Yup.

In fourth grade, I wrote a story about the Easter bunny.  It was for school, and I wrote waaaaaaaay more pages than I needed.  I loved that story.

In fifth, I wrote my first poem.  The first simile I ever remember using was about running around like a chicken with its head cut off.  I’m glad I’ve gotten more profound, less cliched.

In sixth grade, I asked my teacher if we could start a class newspaper.  I was the editor-in-chief, and I entered an “article” I wrote for the paper into a young author’s conference contest, and I won.  When I attended this day-long conference, surrounded by other 10-, 11-, and 12-year-olds, I had my first bout of writer envy.  In one of my sessions, we got a writing prompt, and when some of the kids read their freewriting aloud, I knew it was better than mine.

In junior high, I wrote my first “book.”  It was about best-friends-turned-competitors Mariah and Kayy, both trying to get the one open spot on their track team.  When one of them tripped during the big race, though, the other turned around and helped her friend to the finish line.  I thought it was pretty powerful.  Ha!

In early high school, I wrote my second and third “books” (I put them in quotation marks because they were really more like short stories, but the point was that they were complete— I started so many more things than I finished).  My second book was a thriller about a jealous best friend who faked her friend’s boyfriend’s suicide (did you follow that?).  But my third, my magnum opus, was about a girl dying of emphysema (Do people die from emphysema?  My character did.).  It was the best thing I had ever written in my life up until that point, and I was terribly proud of it.  I stayed up late one night, probably till about 2 AM, finishing that story, tears streaming down my face.  I had this strange, never-again-replicated out-of-body experience while writing that.  It was like I was floating above myself, watching myself type out Kelli’s heart-wrenching deathbed scene.  I felt like a real writer after that.

My junior year, I took a creative writing class, and that teacher gave me great confidence in my writing, telling me to “never stop.”  After a conversation with her, I decided I’d be an English major in college.

Oh college.  By this time, I considered myself a poet and was focusing more on that than on any kind of fiction.  My poetry teacher took me aside freshman year of college to make sure that she wasn’t “killing my writer soul.”  I assured her that I was surviving just fine.  Funny to think back on it– I still was a pretty poor writer at the time.  I had been (probably) the best writer in my grade at my tiny high school, but now I was in a bigger pond– ALL the writing majors had been the best writers at their high schools.  I struggled but got good grades (thank God for the chance to revise my final portfolios!).

I remember my second year of college, I was in a fiction-writing class, and I loved my story idea– wrote and wrote and wrote and was thrilled with my many-pages-long result.  In my critique group, there was a girl who had written a short, two-page story that was far more poignant and beautiful than mine.  More writer envy.

I took a writing of young adult literature class and really floundered in it.  Who knew this would later be where I’d return and find myself at home?  (My professor kept saying that my images were “too erotic”– I was like, “HUH??  They’re not even KISSING.”  Apparently the shock of my character’s red hair against her white comforter was titillating.)

My senior project for college turned out pretty well– four poems and a short memoir piece.  I worked my butt off on those five pieces, and I am proud of them (I’ve even posted some of them on my blog), and after my senior project was done, I had nothing left to give.

For three years.

Yes, it’s true.  I took a three-year hiatus from writing after college graduation.  I don’t regret it either.  I filled that time with reading tons of amazing books.  I imagined I would write again, and I was smart enough to realize that reading would be planting seeds in me for future writing.  (I’m glad I knew that– I’m not entirely sure how I did, but I was very aware that I was sowing seed for later harvesting.)

Meanwhile, my OCD (still undiagnosed) went out of control.  I briefly lost touch with reality and began to seek help and a diagnosis (yay!), and I couldn’t help but chicken-scratch my thoughts and cries for help in those terrifying months.  Eventually, I began to collect all those pieces together, imagining that I could write a book about my OCD experience.

I had intended for it to be full of stories and poems from my real life, but my scrupulosity was so extreme in those days that I was terrified to misquote someone.

So I changed it to fiction.

Around this time, my friend Anna gave me The Book Thief by Markus Zusak, and it was after this that my writing finally started to improve.  Thank you, Liesel, Rudy, and Max!  (And Anna!)

I spent four years on that book about OCD, and then after that, I read The Fault in Our Stars and decided I wanted to try young adult fiction.  I spent 19 months working on my first YA novel, and that brings us to today …

where I wait,

dreaming of a book deal,

and reflecting on all the touchstones that add up to Jackie Lea Sommers, the novelist.

Win-Win-Win?

My big question as of late was this:

How do I honor God, myself, and my agent when we seem to want different things?

A little backstory: my novel has significant religious themes, ones that are important to me.  (Like, the-core-of-who-I-am important.)  My agent thought it all needed to be toned down in order to sell.  At first, I thought I was going to refuse.  I really did.  I didn’t even look at my manuscript for over a week.

Then, one night, I had an epiphany.  I had thought epiphanies were accompanied by a choir of angels or a visible light bulb illuminated over one’s head, but it turns out that they can be just as quiet as a word crawling into your mind while you try to sleep and making a nest for itself there.

The word was parables.

In scripture, Christ told stories all the time.  Parables.  Lots of people believe that parables were intended to make things easier for people to understand, but that’s not actually what the Bible says.  Essentially, scripture says that parables were meant for some to see … and some to not.

I wondered, Can I bury these truths so deep in my story that those who want to see them will see them– and those who don’t want to won’t?

It seemed like the one and only way to satisfy my agent while also honoring the story I wanted to tell.  It also seemed terrifically difficult.  Shooting for such a minuscule target.  I knew I wasn’t good enough writer to do these edits without help.

So I prayed.  A lot.  And spent time in scripture.  A lot.  And wrote an okay new first draft, a better second draft, third …, showed it to my writing group, wrote another draft or so, and after two weeks of attempting to create a parable, I sent my revisions off to my agent.

Heard from him today.  Thumbs up.

He’s going to send the manuscript out to editors on Monday.

win win

 P.S. If you’re a person who prays, would you pray for my manuscript to find favor with an editor?  I’m sooooooo nervous!