quality Christian fiction

This issue has been pawing at me for the last week or so.

Here’s my dilemma:

As a fanatic writer, I have a hard time incorporating Jesus Christ into my writing in a way that is not alienating to non-believers.

As a critical reader, I find the number of books that can do this well to be sorely lacking.

Look, I know that there is a vibrant “Christian fiction” genre out there, but if I step into that area of the bookstore, I seem to be surrounded by Amish romances.  Really?  Amish romances?  That is what Christian fiction has boiled down to?  I have no– read my lips, NO– interest in reading such a book.

I want books like Perelandra by C.S. Lewis (which was full of dense theological arguments that were presenting in a fascinating and thrilling cosmic duel that draws in all readers), books like Peace Like a River by Leif Enger (which somehow manages to show a believer’s real relationship with Christ without stepping for even one moment into sentimentality).

Even worse than that issue is that I worry that I am contributing to the problem.  I’m not writing any poems about how God blessed us with puppies and rainbows or anything, but I am really struggling to find a way to speak to all audiences while still mentioning the name of my Savior.

This was my prayer the other night, which I am showing to you in the hopes that you will join me in praying it:

Jesus Christ, my hope, my love, I BEG THAT YOU WOULD SHOW ME HOW TO WRITE CHRISTIAN FICTION THAT GLORIFIES YOU AND CALLS OUT TO UNBELIEVING HEARTS.

 Jesus, I want to do something big for You.  Unfortunately, without Your assistance, I can do NOTHING.  HA!  I even need You just to enable me to worship rightly.  I NEED YOU, JESUS.  My heart wants this so badly– I so desperately, so deeply want to honor You through my writing and want to draw people to You through story.  It seems almost insurmountable to me– the idea of writing incredible, realistic fiction that both honors You and appeals to both believers and non-believers and that will minister to hearts of all kinds.  Jesus, I know it is possible with You, but I think that is the ONLY way it is possible.  And I plead for it.  It’s like my heart is begging for this, Jesus, to honor You in this way, and I need Your guidance and direction just to even come close.  Help me to get there.  Help me to persist even if it takes so very, very long to get there.

I want what I write to matter; I want it to be infused with meaning and with YOU, and I don’t know how to do that without alienating the very people that I want to have read the book. 

May I please throw all this responsibility back on You and ask that You simply use these hands as Your tools?  When I sit at my laptop to write, Holy Spirit, I pray that it would be You who guides the words I write.

Amen.

trusting the creative process

Trusting the whatta?

The creative process.  I don’t know anyone (except for maybe Addie Zierman) who writes lovely first drafts, and that is just fine.  Freewrite, feedback, re-write, repeat: for me at least, this is the model of the creative process.  And every time I get to the “repeat” part, the draft is better.  If you can boil writing into a formula, that’s what mine looks like.  And then one magical day, the “feedback” part says, “Um, I like it as is,” and you’re done (until some agent tells you otherwise).

It’s bizarre.  Writing– this strange, mystical, spiritual experience– is somehow, for me, whittled into show up and write and then do it again.  After enough times, this clunky, staggering, unrealistic, forced, ridiculous draft turns into a piece of art.  I’m amazed by it.

I have not been writing fiction for long.  Fewer than five years actually.  So I am still in the dating stage with the creative process, still a little unsure that it will really work, uncertain that this formula really does add up.  I’ve spent the last four and half years watching it work (consistently!), and yet I still find myself doubting it.

Then I write another draft, and it is that much better than the last one, and I think in wonder, “It really is working!”

Just like any other relationship, I am learning to trust the creative process.  Show up, put in the effort, don’t get too attached, receive criticism, edit, edit, edit, edit, edit … and it will work.

I am posting this reminder TO MYSELF:

Jackie, KEEP GOING.  Write and keep an open dialogue with those who care about your project.  It will come together.  If it has come this far in 8 months, think of where it will be a year from now!  The creative process WORKS.  It can handle your doubt as long as you keep showing up.

Will you please leave me an encouraging comment?  I could sure use one right now.

writing music

For you writers out there, do you listen to music while you write?  What kind?  How loud?  Lyrics or no?  Do you make playlists based on what you’re writing?

My preferences have changed over time, but I find that now I like to write to music with no lyrics, usually background music from movies.  Right now I am loving Harry Gregson-Williams (the early Narnia albums), Carter Burwell (Where the Wild Things Are), Alexandre Desplat (Deathly Hallows and Extremely Loud & Incredibly Close), along with other Potter composers like Nicholas Hooper, John Williams, and Patrick Doyle.  So good.  Carter Burwell has a song called “Life Death Birth” (which is from the Breaking Dawn album, don’t judge me) that is just so wonderful to write to.

Sometimes I make playlists to get myself into a particular mood/attitude while I am working a particular scene.  I have a “sadness” playlist, a “you can do it!” playlist, a “falling in love” playlist, and a “confused” playlist.  My friend Caitlin thinks I am silly but endearing. Ha!

Would love to hear how music influences your writing!  Please comment!

the writing life

The writing life is a roller coaster.  Some days I feel confident in my writing skills and excited about the things that I am writing, and sometimes I think that I must be so blind and pretentious and disillusioned to think that I would ever write something beautiful enough to be published.  Right now, my roller coaster is going down … down … DOWN.

I set myself up for this, without even realizing I was doing it.  This weekend I went to Duluth with some writer friends, and in the same weekend, I asked for a critique of my manuscript’s first draft and I was re-reading The Fault in Our Stars.  This means that my story was ripped apart at the same time that I was engrossed in John Green’s masterpiece, a formula that adds up to believing that I am worthless as a writer and am wasting my time pursuing it all.

But I couldn’t quit if I wanted to.  And I don’t want to.

Why Christians Should Write

Jesus Christ is a believer’s gravity; he infuses meaning and purpose into our lives and tethers us to reality through the Body and the Blood.  There is no story more fascinating, mysterious, devastating, resplendent, and sanguine than the gospel, and this is the reason we need more Christian writers in the United States to write and be published.  Believers have an incredible capacity for story—true story—which is our duty and privilege to share.  When we weave gospel truths into our stories—even when we whisper or our voices shake—those stories assume deeper meaning, exactly what the world craves, whether knowingly or not.  Tales with no hint of the divine, no rumor of a Savior, may often be a poor investment, a squandering of what might have been.

C.S. Lewis wrote, “Miracles are a retelling in small letters of the very same story which is written across the whole world in letters too large for some of us to see.”  Books written by Christians are just such miracles, stories that are able to be held, while the Great Story, instead, holds us.

The Fault in Our Stars

I know I’ve mentioned this book before, but it really deserves its own post.

TFiOS is a young adult novel written by John Green, and while it has characters with cancer in it, I would never classify this as a “cancer book” (cough, Lurlene McDaniels).  This book is clever, FUNNY, moving, and it has incredible characters, most especially ♥ Augustus Waters ♥.

You really ought to read it.

I will say this:

1) This book made me cry both during and after I read it.  During because I was so involved in the story and after because I was so envious of John Green’s writing abilities.  (I am not joking– I’ve told you before I struggle with writer envy!)

2) I was working on an adult novel about a woman who discovers she was adopted when she inherits her birth parents’ estate, but after I readThe Fault in Our Stars, I completely scrapped that story and started over, making my debut writing YA lit.  That was in January, and now, in July, I have a first draft of a YA story!

So TFiOS is very important to me.  In some ways, it feels as if this book birthed my own.  I hope that makes sense to you.  This book and John Green were so much my muses as I wrote my story (working title Her Truest Lamentation) that I set it in the fictional town of Green Lake to throw props to John Green.

Request it from the library or buy your own copy at Barnes and Noble andread this story.  And then let me know what you think of it.

Date a Girl Who Reads

Date a Girl Who Reads by Rosemarie Urquico

Date a girl who reads. Date a girl who spends her money on books instead of clothes. She has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve.

Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag.She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she finds the book she wants. You see the weird chick sniffing the pages of an old book in a second hand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow.

She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book.

Buy her another cup of coffee.

Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent.  Ask her if she loves Alice or she would like to be Alice.

It’s easy to date a girl who reads. Give her books for her birthday, for Christmas and for anniversaries. Give her the gift of words, in poetry, in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does.

She has to give it a shot somehow.

Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world.

Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who understand that all things will come to end. That you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two.

Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilightseries.

If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are.

You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype.

You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots.

Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads.

Or better yet, date a girl who writes.

short story (work in progress)

ROOSTER

A weekend ski retreat, and after a full first day on the slopes, our college group is back at our rented chalet, warming up by the fireplace and playing a strange version of a game show, replete with trick questions.  For example, I was just removed from the game because I guessed (like an idiot), “the north side” to the question, “If a rooster lays an egg on the roofline of a shed, which side will it roll down?”  The answer, of course, is that roosters don’t lay eggs, but now I’m standing in the back of the room, next to beautiful Ethan, my friend of just six months, who was convinced by his brother to come along at the last urgent minute even though he doesn’t go to our school.

Ethan teases me about my stupid answer, but somehow he manages to be very charming about it.  Ethan has gray eyes and messy curls and this persistent ghost of a grin that always makes me wonder.  He plays bass guitar in a local indie band called Flight Theory and started his own web design company with Miles, his (also talented) brother.  Ethan uses his words very wisely, and sometimes I think that I might end up loving him.

I’m the most experienced skier of the group, so this weekend Ethan asks me the questions, although it’s usually the other way around.  Although he’s met everyone in our group before, it’s me he’s chosen to cling to while Miles races around like his usual manic self.  And now, here we are, Ethan in dirty denim and a clinging gray thermal, standing beside me, his arms crossed, appearing a little nervous and out of place.

“Hey, Ethan?”

“Yeah?”

“Relax.”

He smiles.  Ahhhh, that’s good.  The hair on my arms stands up, and I feel cold on my neck behind my ears.  Crazy how beautiful boys can slow things down.  “Do I look that uptight?” he asks.  “I think I’m still keyed up from that Straight Shoot run.”

“How is it that you live in Minnesota and have never been skiing?” I ask, wandering across the open concept to pour myself some decaf from the pot beside the fridge.

“I don’t know,” he says, now leaning over the kitchen island, his back to the game show chaos.  “I guess I just never had the desire before.  It’s good to be here now.”  He looks at me, vague clouds of confusion resting in those gray eyes, his lips pursed in thought, probably pondering something profound, perhaps how fate kept him from the hills until just this weekend, for some experience that could happen only now.

“It’s like an eclipse,” I say.  What am I talking about?

“What is?”  His eyes are so warm.  Not like Miles’s.

I swallow.  “I don’t know, I guess.  Something about timing.  Waiting a long time for something.”

Ethan looks at me longer than normal without speaking.  It’s good.  Comfortable.  I offer him a drink of my coffee, but he shakes his head, and we both turn at the sudden burst of laughter coming from the seats around the fireplace.

The catalyst is Ethan’s brother.  He almost always is.

Yes, Miles, whom I fell in love with (or something I mistook for the thing) two years earlier, when we were silly college freshmen, once upon a different lifetime.  And now things are so different, so sad and strained, and it’s bizarre being back here with him but without him, this same chalet where he first made me blush in a very, very good way.  We stayed up talking all night in the loft and watched the sun rise through these floor-to-ceiling windows when morning peeked in on us.  It was probably all wrong, but his offering was exactly what I searched for during the year that tripped behind those days … then that year doubled, and the whole enterprise went crazy because in July his older brother was introduced into the unspoken mess.

And Ethan is clever and willing and always up for discussion about metaphysics and logic and God.  I desire to desire him more, but I’m so distracted by Miles, wondering what exactly happened those early months, if Miles was intoxicated with the weather, drunk on the cold.  Meanwhile, I confused a winter-induced kiss with love and a connection that I fooled myself about for the next year and a half.

Miles had rescued me from the overwhelming transition to college.  After a semester of dorm room insomnia, worrying about classes, grades, and my ex-boyfriend James, when Miles stormed onto the scene, it had been a welcome distraction—but more than a distraction, a delight.  Miles was wild and brilliant, resourceful and creative, full of ideas and passion—all of which he still is, only now his moods flash like lightning and roll like thunder, and his pride is a wall I can’t see over.  I remember the old Miles sometimes, like the special seconds when he actually raises both his eyebrows in a way that shows he’s learning.  So infrequent.  Today he stooped low to talk gently to the kindergarteners making their way to the bunny hill, and it punctured my heart with that old syringe of longing.

But those days are rare now.  He is as fascinating as ever—but insolent as hell.

Ethan is usually around then, and looking so alive and accessible.  Last summer, the whole college gang spent a week at the brothers’ family cabin on a lake up north, which is where I’d first met Ethan.  Miles had run around that week in red swim trunks, his mood as unreliable as our cell phone signals that far north.  One minute he was telling jokes and entertaining the crew, the next he was remote, letting us guess if he’d wandered off on one of his long walks alone around the lake.

So I ate lunch with Ethan that week and journalled about the way he looked so responsible as he steered the boat.  Ethan was older, brimming with respect and artistry and quiet words.  I wanted to be near him—it was something very different, much less humbling, than my desire to serve Miles, the boy whom I figured could command the stars and spill success anywhere.  Ethan felt more like someone you could sit with on a park bench and watch the clouds, the people, the birds.

“Everyone up there just loves Miles, you know,” I say to Ethan as we both lean against the island.

“I know.”  Admiration from him too.
I sigh.  “Oh that Miles.”  It’s loaded.

So the question becomes this:  if Miles returned to the 2-years-ago Miles, would I abandon this little untenable affair with his brother?  Maybe that exact Miles is an illusion, or maybe the illusion takes form in the person of Ethan.  Do I want Ethan to be more like Miles or Miles to be more like Ethan?

“How did you and Miles meet anyway?” some bad muse prompts Ethan to ask.

I offer a crippled smile.  “We met at school but really clicked on a trip here.  You wouldn’t know it now.”

“No, I guess you wouldn’t.”  Oh horrid honesty of the older guy.  “So,” Ethan continues, “what happened between then and now?”

Do I really want to discuss this with Ethan?  “I don’t know.”

“Miles needs to grow up, Claire.”

I just look at my woolen socks, gray like his shirt, like his eyes.  When I look back at Ethan, those eyes are sad with knowledge.  I breathe quickly, feel my chest rise and fall.  It’s a peculiar moment, plump to bursting with unprocessed truth, for both of us.  In our own ways, we’re facing a reality we can’t hold.  I want to force myself to feel things; he does too; neither of us can.  Maybe we need to hold Sorrow’s hand longer to learn other things.

If he said that he himself is grown up, it would be cliché.  I notice that it has begun to snow outside.  This room is thick with heat and I need to sit down.

“I know,” I say, and it suffices as an inclusive answer as I find a kitchen stool for myself.  I hand another to Ethan, and he perches on it, now listening closely to the next game show question that his brother is attempting to tackle.  Ethan’s focus is so attractive that in that moment I want to lead him out of the chalet and wrap myself around him under the witness of the pines.

Stupid.  Somehow, in this ridiculous triangle, the rooster conceived.  None of us know (and right now, Miles doesn’t care) which direction the egg is rolling off the roof, and all at once it feels fated and manipulable, and all I can do is breathe in, breathe out, wait.

Martha, Martha.

Productivity really matters to me.  A lot.  Maybe too much.

This was my prayer the other night:

I love You, God.  I really do.  Why don’t I spend more time with You?  I have this idea about productivity meaning that I churn out a product.  But it is productive to spend time with You.  I think of the Mary/Martha story– Martha was cleaning and serving and being productive, but You said that Mary made the better choice– to sit at Your feet and listen, adore.  Calm me down.  Help me to not feel like I always need to produce.  I know that part of it is just the creative spirit that You gave me that drives me to create– and in so doing, I believe I am mimicking You, hopefully to Your glory– but I never want my creative tendencies to get into the way of my relationship with You.  Holy Spirit, I need You to change this in me.  Help me to be satisfied just to be with You.  I do feel like we are together while I write– and I am writing for You– all I do is for You.  I want to be like Mary, to sit at Your feet and adore.  But it is not in my nature, Lord, so I will need You to engender that in me.  Martha, Martha, you are worried about so many things.  Jackie, Jackie.

9 years later

… I finally finished the poem that I starting writing right around college graduation in May 2003.  I hope it makes sense to you.  Some people have gotten confused by it.  Hint: there are 3 characters in it, not 2.

THE CALL

When the sky burst like a balloon, the rain soaked the hikers
for ten wild minutes that shivered like forever.
It was like a gift, he said, or like a holy baptism.
Or it was like a scene in a story you would write.
And when the call was dropped, she phoned to tell me,
who pictured this boy or that on a cell phone in the mountains,
smelling clean like Appalachian rain and wanting me to know.